The Fury by Marilene Oliver
Laser engraved into battleship linoleum with reduction hand linocut, printed on offset press. Line work image created in Illustrator. Settings used: 250 dpi Image: Power=100, Velocity=35, PPI=750, 2 Passes
Jiā yóu by Kevin Liang
I wanted to showcase the performativity of the action of eating rice continuously with the chopsticks and mark the aftermath of that action onto the chopsticks in photographic clarity to best exhibit the raw documentation. ...
Bing by Yilu Xing
A series of homemade pancakes, lasercut with imagery depicting or relating to the cooking process. The engraved pancakes were also subsequently used as a relief printing matrix. The project explored conceptual analogues between the cooking ...
Paper Plates by Heather Savard
A teapot, 4 cups and 4 plates were digitally constructed through 3D modelling software, and unfolded into a flat plane, resulting in a series of polygons that could be folded back into a paper tea set. A pattern from the original tea set was digitally scanned and translated into a black and white image that was then transposed onto the polygons.
Obscene Echo by Marilene Oliver
Obscene Echo, laser engraved graphite on Somerset Satin 2019. Composite image of volume rendered MRI scan data in virtual reality and meshed model generated from CT data laser engraved into graphite covered Somerset stain
On Fire by Marilene Oliver
On Fire by Marilene Oliver 2019, three colour woodblock print (RGB) on gampi. I wanted to explore the noise of the woodgrain with this rendering of MR data which is also very noisy.
Pneumonics by Holly de Moissac
Cutting woodblock outlines of internal organs, three-quarter inch Baltic birch plywood.
Paper installation by Kim McCollum
I made a series of digital drawings that I wanted to engrave into paper. I tested the settings until I found one that would go almost all the way through the paper but not quite. The colour of the paper when touched by the laser was darker. Based on these pieces, I decided to use some of the pieces that I made as part of a large wall collage that also incorporated fine paper grids that I cut using the laser.
Thistles by Holly de Moissac
Thistles by Holly de Moissac, 2018. Cut outlines of thistles into thick paper, to be tangled into larger forms, rough, handmade paper (approx. 150-200 gsm), with an uneven surface.
Extractive Logics (leaves) by Daniel Evans
Extractive Logics (leaves) by Daniel Evans, 2020, Rives BFK (Grey) with compressed charcoal rubbed into it. Series of photographs laser-engraved into charcoal saturated paper, with leaf surface texture subsequently engraved over top